From zoomorphic masks to the secrets of lost metallurgy, how and why did gold become such an important representation of wealth and power for Mesoamerica’s Aztecs, Mayans and Mixtecs?
Mesoamerica is the region where North and South America meet, extending from contemporary central Mexico to Honduras and Nicaragua. Since 1500 BC it has been home to many great civilisations, including the Maya, Aztecs, Olmecs, Mixtecs, Toltecs and Zapotecs. Anthropological and archaeological explorations in the area have emphasised the importance of sculpture, pottery, textiles, precious stones, and gold to these peoples.
So, when is Mesoamerican goldsmithery dated from? In fact, compared to other ancient civilisations, the emergence of gold metalwork in Central America occurred relatively late, with distinctive works apparent in west Mexico from around 800 AD. The region is unique for its interesting metallurgical technology. The Mesoamerican peoples’ interest in the sound, colour and reflectivity of their
ornaments informed the choices of their craftsmen who focused on making jewellery, display items, sheet metal beastplates, crowns and objects that could produce sound. All these items incorporated a variety of techniques developed by artisans and rendered in shadings, engravings and embossing.
Today, our most important source of information for the pre-Columbian Mesoamerican gold work and jewellery manufacture is the descriptions contained within the Florentine Codex (1548 – 1561), a tome written under the supervision of the Franciscan priest Bernardino de Sahagún.
In the ninth book of the codex, Sahagún describes and illustrates the manufacturing processes and technology employed by Mesoamerican goldsmiths to produce the artefacts by depletion gilding and a now lost wax casting technique, which involved the pouring of molten metal into a mold that has been created by taking an impression from a wax model. Once the mold is made, the wax model is melted and drained away. The level of sophistication embodied by the gold artefacts and jewellery from the period is only replicable today using modern technology. The gap in our knowledge of how such pieces were made has led to a range of different theories, all trying to explain the lost secrets that allowed Mesoamericans to reach their remarkable levels of craftsmanship.
Aztec Gold Work
As tribute, the Aztecs were often gifted raw gold materials including powders, ingots and sometimes even foil. These were often brought from the Oaxaca and Guerrero areas. Interestingly, manufactured gold pieces (e.g. pendants) were also offered as presents to rulers, priests or elite warriors, although this was less common. Historical sources also show that goldsmiths from the Oaxaca region often worked in Aztec workshops to produce artefacts for Aztec rulers and ceremonies.
Although gold was panned in the Guatemala highlands, it was not produced in great quantity. For the most part, Mayans traded for their gold with other Mesoamerican peoples. The largest cache of gold and other precious metals found in the Maya territory were dredged from the sacred well at Chichén Itzá, the former Mayan city and flagship archaeological site located on the Yucatán peninsula and dating from the ninth century AD.
The gold found in this sacred hoard contained different zoomorphic pieces, pendants, bells and figurines cast via the lost wax process as well as hammered discs with mythological scenes of human sacrifice and warfare. Judging by the style, shape and size of the artefacts, it is believed that this cache may well represent the first significant trade network of gold in Mesoamerica. It is also considered the biggest collection of gold work discovered in the region.
The Mixtec civilisation developed in what is now the Oaxaca state of Mexico, thriving from 900 AD until the Spanish conquest in the 16th century. Mixtecs were the most skilled goldsmiths of Mesoamerica, and about 80% of the existing Mesoamerican gold artefacts belong to this culture. The gold collections found in their territory include chin ornaments or ‘bezotes’, a huge solar pendant (from the tombs of Zaachila) and various zoomorphic pieces rendered in bells, beads, foils, necklaces, rings and earrings. Most of the items found are remarkable in terms of the quality of gilding techniques and the ornate depictions of animals, plants, gods and mythical beings. These pieces show the significance of gold metallurgy in the Mixtec comprehension of religious worship, ceremonial practices, mythology and warfare.
By the end of the Mesoamerican Age, goldsmithing had become wide-spread across the lands of today’s central and western Mexico, although gold artefacts were accessible only to the elites who used them both as symbols of power and for ritual purposes in burials and ceremonial offerings. Only high levels of society were allowed to wear jewellery made of the precious metal – the great symbol of the Sun and the gods that represented it.